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Not long over three minutes, “Adorn” catalogues some sweet nothings and awkwardly-shaped promises (“These fists will always protect you?”) over a sandpapery, hotly mixed drum machine and a handful of burbling synth chords. Miguel Teams Up With Spotify for Intimate Brooklyn Concert Ahead of 'War & Leisure' Release But “Adorn,” its opening salvo, was something else, something more bashful and sweet, even naïve. The man’s second album was home to many of the unforgettable invitations mentioned earlier (“Arch and Point,” “Pussy Is Mine,” the somewhat odious “How Many Drinks”) as well as “Do You” (“Do you like drugs?”) and “Use Me” (“I’m gonna give you control”), which are no less arrogant and just as unforgettable as the other highlights. “Adorn,” his breakthrough hit and opening track to 2012’s classic Kaleidoscope Dream, is his anthem for the ages. Miguel even plays guitar.Īs his slightly more socially conscious fourth album War & Leisure bows this week with some excellent tunes of its own (the Motown-channeling “Pineapple Skies,” the “Despacito” spot-stealer “Caramelo Duro”), it’s prudent to look back on Miguel’s crowning achievement, though.
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Whether he wants to be compared or not, clearly the only analogue here that you can pop out the name “Miguel” for is “Prince.” No one else since the Purple One’s heyday has managed that impish innocence squared with brusque quick cuts of carnality.